![]() ![]() Until then, Tucker's income derived mainly from his weekly commissions as a salesman for the Reliable Silk Company in Manhattan's garment district. Eventually, he progressed from a part-time cantor at Temple Emanuel in Passaic, New Jersey, to full-time cantorships at Temple Adath Israel in the Bronx and, in June 1943, at the large and prestigious Brooklyn Jewish Center. As a teenager, Tucker's interests alternated between athletics, at which he excelled during his high-school years, and singing for weddings and bar mitzvahs as a cantorial student. His musical aptitude was discovered early, and was nurtured under the tutelage of Samuel Weisser at the Tifereth Israel synagogue in Lower Manhattan. His father, Sruel (Sam) Ticker, and mother Fanya-Tsipa (Fanny) Ticker had already adopted the surname "Tucker" by the time their son entered first grade. Tucker was born Rivn (Rubin) Ticker in Brooklyn, New York, the son of Bessarabian Jewish parents who immigrated to the US in 1911. Long associated with the Metropolitan Opera, Tucker's career was primarily centered in the United States. Richard Tucker (August 28, 1913 – January 8, 1975) was an American operatic tenor and cantor. I remember the first time I received a letter from the Richard Tucker Music Foundation inviting me to audition for the Sara Tucker Study Grant.Tucker in costume for Andrea Chénier, with Mario Lanza (right), who was a great fan of Tucker's, after Tucker's 1958 Covent Garden debut. The letter invited me to the 92nd St Y on the Upper East Side of New York City, where I would sing an audition for a panel of judges comprised of casting directors, music directors, and senior artistic administrators from opera houses around the country. I soon learned that this invitation was a very coveted and special one: only a handful of young American singers deemed the most promising were selected for these auditions. I never learned who nominated me the years I was invited to audition for the Sara Tucker Grant. All I understood was that it was based on the recommendations of operatic gate keepers and tastemakers who served in the administrations of the nation’s top opera houses.Įach Spring, I was granted a special release from my employment in the Houston Grand Opera Studio in order to fly to New York to attend these auditions, which I was told were important. Many artist managers, casting directors and artistic administrators who were not serving as judges would observe these auditions from the balcony of the 92nd St Y to keep track of rising talent. ![]() Exposure was the primary benefit of these auditions. ![]() Because this opportunity to be seen and heard through the lens of these auditions was so important, I was told that it almost didn’t even matter whether I won or not. I never did.Īccording to the list on the Tucker Foundation’s website, the Sara Tucker Study Grant has been awarded 96 times since it began in 1998. It has been awarded to only 1 Asian-American singer: tenor Andrew Stenson in 2011. Of those 96 Sara Tucker Grant awards, only 9 went to black singers. All six of the most recent round of Sara Tucker Grant winners in 2019 were white. This is just the lowest level of award given by the Foundation. Its top prize, the Richard Tucker Award, which comes with a $50,000 award and a gala concert that is one of the primary highlights of the New York opera season, has been given 39 times since 1978, and only once to a Black singer: tenor Lawrence Brownlee. ![]()
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